Connecting the regional and the global in the UK film industry

UPDATE: 22 November 2010 – this artilce has now been published as Connecting the Regional and the Global in the UK Film Industry, Transnational Cinemas 1 (2) 2010: 145-160. DOI: 10.1386/trac.1.2.145_1.

This weeks post is a draft of an article that I started writing a awhile ago and has driven me up the wall for several months, as most of it has been finished for quite some time but I never could quite get it done. The piece is about regional film production in the UK, and the ways in which this production is connected within the UK and beyond. It represents an attempt to enumerate the different types of films produced in the UK’s regions in the absence of any official statistics on the geography of film production in the UK. The abstract is presented below and the pdf can be down loaded here: Nick Redfern – Connecting the regional and the global in the UK film industry.

Abstract

Film policy in the United Kingdom is comprised of two complementary strands: the development of regional production clusters and the positioning of the UK as a film hub in the global film industry. Thus article examines the relationship between the regional, national, and global scales in feature film production in three UK regions – Northern Ireland, Scotland, and the South West of England – from 2004 to 2006. The results indicate that connections between the regions of the UK and the global film industry are limited; and that where they do exist these connections are either directly to or mediated through London, which functions as the dominant centre of distribution and finance – and therefore decision-making – in the UK film industry. Northern Ireland, by virtue of its cultural and economic relationship to the Republic of Ireland, stands out as a region in which its connections to other major decision-making centres are as important as its connections to London. The results suggest that while UK film policy has sought to redistribute the productive capacity of the industry, the autonomy of regional production centres remains limited.

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About Nick Redfern

I graduated from the University of Kent in 1998 with a degree in Film Studies and History, and was awarded an MA by the same institution in 2002. I received my Ph.D. from Manchester Metropolitan University in 2006 for a thesis title 'Regionalism and the Cinema in the United Kingdom, 1992 to 2002.' I have taught at Manchester Metropolitan University and the University of Central Lancashire. My research interests include regional film cultures and industries in the United Kingdom; cognition and communication in the cinema; anxiety in contemporary Hollywood cinema; cinemetrics; and film style and film form. My work has been published in Entertext, the International Journal of Regional and Local Studies, the New Review of Film and Television Studies, Cyfrwng: Media Wales Journal, and the Journal of British Cinema and Television.

Posted on December 17, 2009, in British Cinema, Film Industry, Film Studies, Northern Ireland, Regionalism, Scottish Cinema and tagged , , , . Bookmark the permalink. 2 Comments.

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