The Veritiphone system

I have previously written three posts on the efforts of the Leeds inventor Claude Hamilton Verity to develop a synchronisation system for motion pictures using a sound-on-disc system. In 1923 he sailed to America to work with the Vitagraph Film Company, though the result of this collaboration remains unknown. His efforts were reported worldwide but he has disappeared from the history of British cinema. You can read my earlier posts here, here, and here.

I had not thought about Verity for many months until Luke McKernan asked me a question yesterday, and I took the opportunity to have a quick search to see if anything new was available.

Rather wonderfully I have just found a discussion at Gramophone Collecting which has images of two articles. One is by Verity himself written for The Sound Wave 1922 describing his ‘Veritiphone’ system complete with a picture of this unusual machine.There is even a picture of the man with his machine. The other is a description of his efforts.

The original discussion can be found here.

The introduction to the article reads:

We have had an opportunity of testing the acclaimed merits of the Veritiphone. This is the invention of Mr. Claude H. Verity, of Leeds, who has made a deep study of the synchronisation of moving pictures, and who has admittedly accomplished what at one time appeared to be an impossible feat, that of timing the movement of the lips of the speaker  with the recorded speech given coincidentally. The Veritiphone is, indeed, the outcome pure and simple of Mr. Verity’s pursuit of the science of synchronisation.

From this we can infer the Veritphone system worked, performing exactly as Verity claimed and as reported around the world. And yet he is utterly unknown to historians of British cinema.

Here are the images from the forum.

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About Nick Redfern

I graduated from the University of Kent in 1998 with a degree in Film Studies and History, and was awarded an MA by the same institution in 2002. I received my Ph.D. from Manchester Metropolitan University in 2006 for a thesis title 'Regionalism and the Cinema in the United Kingdom, 1992 to 2002.' I have taught at Manchester Metropolitan University and the University of Central Lancashire. My research interests include regional film cultures and industries in the United Kingdom; cognition and communication in the cinema; anxiety in contemporary Hollywood cinema; cinemetrics; and film style and film form. My work has been published in Entertext, the International Journal of Regional and Local Studies, the New Review of Film and Television Studies, Cyfrwng: Media Wales Journal, and the Journal of British Cinema and Television.

Posted on December 6, 2012, in British Cinema, Claude Hamilton Verity, Film History, Film Studies, Film Technology and tagged , , , , . Bookmark the permalink. Leave a comment.

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