The Veritiphone system

I have previously written three posts on the efforts of the Leeds inventor Claude Hamilton Verity to develop a synchronisation system for motion pictures using a sound-on-disc system. In 1923 he sailed to America to work with the Vitagraph Film Company, though the result of this collaboration remains unknown. His efforts were reported worldwide but he has disappeared from the history of British cinema. You can read my earlier posts here, here, and here.

I had not thought about Verity for many months until Luke McKernan asked me a question yesterday, and I took the opportunity to have a quick search to see if anything new was available.

Rather wonderfully I have just found a discussion at Gramophone Collecting which has images of two articles. One is by Verity himself written for The Sound Wave 1922 describing his ‘Veritiphone’ system complete with a picture of this unusual machine.There is even a picture of the man with his machine. The other is a description of his efforts.

The original discussion can be found here.

The introduction to the article reads:

We have had an opportunity of testing the acclaimed merits of the Veritiphone. This is the invention of Mr. Claude H. Verity, of Leeds, who has made a deep study of the synchronisation of moving pictures, and who has admittedly accomplished what at one time appeared to be an impossible feat, that of timing the movement of the lips of the speaker  with the recorded speech given coincidentally. The Veritiphone is, indeed, the outcome pure and simple of Mr. Verity’s pursuit of the science of synchronisation.

From this we can infer the Veritphone system worked, performing exactly as Verity claimed and as reported around the world. And yet he is utterly unknown to historians of British cinema.

Here are the images from the forum.

About Nick Redfern

I am an independent academic with over 15 years experience teaching film in higher education in the UK. I have taught film analysis, film industries, film theories, film history, science fiction at Manchester Metropolitan University, the University of Central Lancashire, and Leeds Trinity University, where I was programme leader for film from 2016 to 2020. My research interests include computational film analysis, horror cinema, sound design, science fiction, film trailers, British cinema, and regional film cultures.

Posted on December 6, 2012, in British Cinema, Claude Hamilton Verity, Film History, Film Studies, Film Technology and tagged , , , , . Bookmark the permalink. Leave a comment.

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